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November 13, 2009

Fourth Comic - Santa and His Old Lady

This was our xmas comic for the December schedule. In my mind this is where our work really started to grow. I was able to expand the size to 2 pages (or one whole 8.5x11 page, depending on how you look at it) and play with the panel sizes and layout. This really freed me to make some interesting choices regarding storytelling. I recall this piece being a challenge, but I think I met it head on and came out the better for it. I learned a lot in here, and in the end came out with something I'm pretty proud of.

Being able to go in with grayscale really changed the feel of the work. I think this is my favorite of the early works I did. My only caveat is that I think I could have handled the gray space on page 2 (the one with the 3 panels) much better.

I will say though, I was a little disappointed by the amount of text that showed up on the page after it was lettered. I think that's largely just my pride over the images, but it does feel a little cramped on the first page. Second one breathes a lot easier and in my mind is pretty much ideal.

What do you think?

Third Comic - The Arrival

This was the third piece I did for X. I don't know if I was thrown by the amount of work (9 whole panels, look out!) or if I was struggling with the format or style or maybe it was crunch time at school or something, but this piece really feels like a failure. There are a few fun panels, but for the most part I think it's pretty weak work.













As such, I am now going to go right into the fourth comic so that this doesn't sit at the top of the blog...

Second Comic

Right after I hooked up with X things fell apart for him and the association he was dealing with. As such, the next work he asked for was meant as a way of expressing the changes that were occuring, and challenges that he was dealing with (and overcoming).

Look at this, only 3 panels!

This was back when I was trying to figure out what kind of style to work in. I also needed some serious training in Indian culture. Who knew it would take me damn near a year to figure out how to draw braids in a way that didn't look like ass? I think X actually wrote me about this comic to give me a little culturization. Indians = tight braids. Loose braids = negative implications. Totally my bad, hopefully better now.

Also, in posting this I noticed that X did a lot more writing to fill space back then. 

First Work - The Buffalo Jump

Over the next couple of days I'll post all of the work that I've done for X over at Y. Ideally I recommend you check out his site here to see these pieces in context, and along with the schedules and other related materials. I'm not involved in any of that work though, so I don't want to be claiming it on this site.

To start I'll post the very first work I did for him.














This was the only time I had the chance to do a cover to go along with the comic. Back then things were much simpler, 7 panels, 1/2 a page, nice and easy. I was actually pretty pleased with this piece when I turned it in. Looking back at it now I feel like I could pull of something a lot more impressive, but it was a good start.

November 11, 2009

Outta Sight

Checked in with X over at Y and he ok'd my posting the comic work I do for him here. These pieces are usually month long collaborations that start with X sending me a script. I take the script and turn it into a rough outline/layout of what I have planned (panel layouts, page layouts etc). Once that's ok'd I dive into the art, penciling/sketching it to begin with, and then finishing it in Corel Painter. X finishes things off by lettering the piece and then posting it on his site.

In the future I'll try to round up copies of all the work that I've done for him, but I'll start with
the most recent (it also happens to be one of my favs).